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The inane ramblings presented here by Scott Foy
(aka The Foywonder) are strictly his own opinions
and do not necessarily reflect those of the rest of the Schlocktoberfest staff
or any other sane
person living or dead. Address all fan mail, hate mail, questions,
requests, marriage proposals,
death threats, etc. directly to him using the forum link provided at the end
of this column.
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Originally published July 2002 on nowff.com. "I
want that creature. I want that creature bad. Seventeen years of bad."
- Patrick Bergin's ominous declaration of hatred for the Loch Ness Monster in BENEATH LOCH NESS MY
NAME IS SCOTT FOY AND I PAID TO SEE Another year. Another NOWFF. I must say that NOWFF 12 was probably the most enjoyable NOWFF I've been to and not just because I was honored with the prestigious Sludgie Award for all my behind the scenes work this year - acquiring the prints for two of the movies, providing a ton of door prizes, providing the Super President cartoon short, inventing the "AAB-Gamma" clapping game that Count Gore so eloquently explained during his X FROM OUTER SPACE intro, and, of course, writing for this website. Pardon me while I take a brief moment to pat myself on the back. Okay, the moment has passed. Also, let me just say that I never truly realized just how overtly gay MEGAFORCE was. Even though I re-watched MEGAFORCE again to put together material for the comedic Michael Buffer-esque intro I did for the film, it wasn't until I actually sat there in a theater with an audience watching this movie did I ever truly realize just way gay it really is. Its like if Joel Schumacher made a G.I. Joe movie. EVIL BRAIN FROM OUTER SPACE is a movie I've seen one too many times. Horror host Ghastly Ghoul did such a wonderful job with his pre-taped GIANT GILA MONSTER intro that it's a shame we had to spoil the moment by actually running that awful movie. VIVA KNIEVEL and INVISIBLE INVADERS were the only films at the fest this year that I'd never seen before. I actually enjoyed INVISIBLE INVADERS more than I ever imagined I would have. On the other hand, I hope and pray I will never have to endure the agony that is VIVA KNIEVEL ever again! Finally, let me pass along to you one of the little bizarre factoids that I wrote about in the NOWFF 12 program book: Guilala was the title monster of THE X FROM OUTER SPACE which also starred Peggy Neal who also starred in TERROR BENEATH THE SEA with Sonny Chiba who co-starred in ACES: IRON EAGLE 3 along with Lou Gossett Jr. who was in TOY SOLDIERS that also featured R. Lee Ermey who appeared in MURDER IN THE FIRST starring Kevin Bacon. Yep, even the goofiest movie monster of all time is within six degrees of Kevin Bacon! THE SCHLOCK NESS MONSTER It all started back in early March when I was searching Ebay for a reasonably priced poster of the 1981 flick THE LOCH NESS HORROR which usually runs for upwards of $60 dollars. By typing the phrase "loch ness horror poster" I didn't get what I was looking for, but stumbled upon something even better as I got a listing for the "poster" of a forthcoming "horror" movie called BENEATH LOCH NESS. This immediately sent me scurrying to IMDB to look up this BENEATH LOCH NESS movie. Well, needless to say I was pleased with what I found. There was no actual description of the film's plot or when it would be released in the US, however the movie had already been released in Scotland with the longer title of THE EVIL BENEATH LOCH NESS. The reader feedback consisted of nothing but angry comments from pissed off Scots about how they hated this movie and, in some cases, how they hated America for making this movie. From what I gathered, seems this tale of a man-eating Nessie, a concept alone being enough to tick the Scots off since the Loch Ness Monster is such a beloved, benevolent, national icon, was filmed almost entirely on location somewhere in California and featured mostly American actors doing bad Scottish accents. It would be an understatement to say this did not go over well with the good people of Scotland, at least the ones that actually paid to see this movie. How negative were these comments? So bad that the director of the film, Chuck Comisky, sent in a review himself to basically say that it wasn't his fault that his work got chopped up by the UK distributors of the film. By chopped up, he meant they cut out the 8 minutes (YES, 8 WHOLE MINUTES!!!) of the film that was actually shot in Scotland. Right, like the inclusion of those 8 minutes would have pacified the Scottish movie-going public much less made it a better movie. For crying out loud, as the reader comments note, the people in this movie drive on the right side of the road despite the fact that in Scotland you would be driving on the left and they pay for things with American dollars! Suffice it to say I had to see this movie! Unfortunately, I would have to wait until its home video release on June 18th.
I'm not going to dwell on this
stinker much because quite frankly it bored the bejeezus out of me.
In fact, boring would be the operative word in describing it. It's one
of those movies where people talk about what they're going to
do and talk about what they did and talk about what they think
is going-on and what they have to do to stop it, but we hardly
ever seen them doing the stuff they're talking about. The action mostly
consists of people boating, scuba diving, driving, or just standing
around and then every 10 to 20 minutes the Loch Ness Monster
eats someone. Toss in a crazy Highlander
and Unfortunately for moviegoers, THE LOCH NESS HORROR was a Larry Buchanan production. One of these days I'm going to have to write a column solely dedicated to the works of Larry Buchanan. To keep from getting sidetracked, let me just state the titles of a couple of movies that were brought to us by the artistic vision of Larry Buchanan: ATTACK OF THE THE EYE CREATURES, ZONTAR-THE THING FROM VENUS, MISTRESS OF THE APES, and MARS NEEDS WOMEN. If you have ever seen any of those movies, then I need not say another word about the quality of a Larry Buchanan film. If you have never seen any of the movies listed, consider yourself lucky. Long story short, the Loch Ness Monster in THE LOCH NESS HORROR looks like a Mardi Gras float and keep in mind you never see anything other than the monster's neck and head. The only "horror" in this movie is that which the audience experiences when realizing they paid to see a film that features a dinosaur that any Boy Scout troupe could build in a garage for about $40. To top it all off, Nessie's roar will leave you dumbfounded. The creature's bellow is the exact same noise a STAR WARS Tie-Fighter makes. I kid you not. And for some reason, Nessie blows smoke when on land and bubbles when underwater. If you ever get the urge to watch this movie, fight it with every fiber of your being or you'll be sorry! Which bring us to BENEATH LOCH NESS. The back of the video box features a blurb likening this film to ANACONDA, LAKE PLACID, and DEEP BLUE SEA. This is roughly the equivalent of making a Bigfoot thriller and comparing it to CONGO or hyping a legal comedy with a soundbite that says something like, "If you thought TRIAL AND ERROR and JURY DUTY were funny!" Oh yeah, we're already off to a bad start and I hadn't even left the video store yet! As mentioned previously, the director of said opus is Chuck Comisky, a former f/x supervisor turned first-time director. If you've ever seen SPAWN or KOMODO, then you know this is never a good thing. James Cameron being the exception that proves the rule. To my surprise, this movie did not let me down as it gave me more cannon fodder than any other recent release I've seen since MEGIDDO even though it isn't quite as enjoyable as that bit of nonsense. BENEATH LOCH NESS is gleefully incoherent and utterly ludicrous, two qualities I can really appreciate.
We now cut to, get this, Afghanistan, thus clearly indicating that this film was obviously filmed prior to the tragic events of 9/11, where Howell, or is it Powell, is doing research of some sort. They never really state what his research field was or what the hell he's doing in Afghanistan. Howell, or is it Powell, looks an awful lot like b-movie kingpin John Allen Nelson and spends virtually the entire movie wearing this dopey cowboy hat, so from here on out I'm just going to refer to his character as Hat Guy. Anyway, Miss Anthony calls Hat Guy about working on the special and they get into a catty argument about why he doesn't want to do it until she tells him of Gus' death. Apparently Gus was his Obi-Wan so he agrees to aid with the special out of respect to Gus although I'm not sure how participating in a TV show designed to exploit a loved one's death would in any way honor their memory. Hat Guy arrives in Scotland
just in time for a loch-side service for Gus. There will not be a funeral
because they never recovered Gus' remains. He then meets with the American
research team who all share memories of Gus, but he annoys them by voicing
his opinion that Gus died for no good reason chasing after a stupid
myth. Then they go to the local bar and essentially repeat the same
scene, but toss in the female college student/redhead/operator of the
24-hour Loch Ness The next day, they return to the scene of Gus' demise. The team is hoping to find one of the fossilized eggs Gus had just come upon moments before the quake while Hat Guy only hopes they find Gus' body so that they can give him a proper burial. Personally, I'm with Hat Guy on this one. One of the greatest regrets in my life was that I personally never got to meet the great Prof. Gus Egan. From everything they say about Gus in this movie, he was not only one helluva scientist, but one helluva guy too! It's a damn shame that so many rotten people roam the Earth yet such a swell fellow like Gus is taken before his time. Getting back on topic, they don't find Gus, but do find one of the eggs. Meanwhile, the webcam girl and a couple of her buds are planning a prank that they hope will somehow result in getting their website some massive hits. It basically involves them floating a fake Nessie right in front of a Loch Ness tour boat so that all these people on the boat will be fooled into thinking they've seen the monster and they'll tell the press and people will then instantly log onto the Loch Ness webcam. Good in theory, but there's a major problem with this idea. That being the fact that their fake Nessie looks even less realistic than the one in THE LOCH NESS HORROR and they're planning to do this in broad daylight so there won't even be any darkness to obscure the obvious fakeness. They also have a friend on the tour boat with a camcorder who keeps reporting the location of the boat and repeatedly asks things like "How long until you're in place?" via a walkie-talkie. None of this raises the suspicions on anyone on board the boat who are all seated within inches of one another. Well, the movie never established that they were smart college students. To get right into the action,
something huge begins to send the research team's sensors off the charts.
There is no shortage of scenes in which people look at various sensors
where the creature's approach is signaled by lines spiking, bars elongating,
and/or blips flashing on-screen. This would also be a good time to mention
that there is never a single moment of anything even remotely resembling
suspense anywhere within the 90 minute running time of this movie. A
shadowy computer effect is seen swimming. Pay attention and you'll notice
that certain shots of the monster are recycled over and over throughout.
The scientists on the surface yell at the divers about something enormous
that's heading right for them. The female diver panics while the cocky
male diver begins humming the JAWS theme. At least he knows how
cliched
Back on the loch, a group of American-hating locals who engage in the craft of "boomfishing," by which they light sticks of dynamite and toss them into water to gather up whatever dead fish float to the surface after the explosion, are doing some nighttime fishing. I neglected to mention that Hat Guy and the Scuba Gang had a run-in with them earlier in the film where they basically uttered the same hate-filled rhetoric that all Scots seem to direct towards Americans in this film. The moment they started insulting them about wasting time hunting down a non-existent monster, you just knew they were going to become a Nessie snack. Well, you can take a wild guess what their "boomfishing" disturbs and what happens next. But again, the monster attack takes place off-camera. Just as the creature springs forth from the water, we cut to the next scene. For crying out loud, if you don't have the budget to show the monster attacks then why even bother making a monster movie? As for the boomfishermen, they're only mentioned in passing in one scene later when the constable makes reference to some local fishermen who didn't return the other night. Miss Anthony finally makes her triumphant return to the movie after more than a thirty-minute absence. Her scene arriving at the train station awaiting Hat Guy to pick her up is priceless. Apparently, this was one of those 8 minutes of footage actually shot in Scotland only Miss Anthony wasn't there when it was filmed. It's actually Lysette Anthony standing in front of an obvious blue-screened matte painting of a real Scottish train station. This scene is unreal both literally and figuratively. Back on topic, she's there to see what evidence they've collected so far for the TV special. She's shown the photos and the footage of the creature and she completely dismisses it all as being fuzzy, blurry, and inconclusive despite the fact that if anyone in real life got footage of the Loch Ness Monster like this it would make it onto every newscast worldwide. Upon being shown the fossilized egg, she declares it to be a worthless rock. At this point, apparently Lysette Anthony figured that she might as well just ham it up and starts going into Susan Lucci overdrive as she bursts into hysterics about how this show is going to be a disaster and along with it her career and her life. After she storms out of the building with Hat Guy in-tow, the crew along with every single person watching this movie unanimously declare her to be a bitch. Our lead actors engage in an outdoor shouting match during which Hat Guy says something about this being personal between the two of them to which she responds by telling him that the biggest mistake she ever made in her life was marrying him. NO! FOR THE LOVE OF GOD, NO! Of all the movie cliches this film had to toss in, did they have to include the divorced couple who still have feelings for one another and when reunited during a traumatic experience will rekindle their love? I swear, if anyone ever utters a line about not closing the loch because it's the busy tourist season, I am going to scream! Anyway, getting back to the rapidly unfolding soap opera, when she tries to use the phone, he snatches it from her, so she slaps him, and he responds by planting a big kiss on her, which seems a-okay with her. Oh, if only the GONE WITH THE WIND music had begun playing this melodramatic scene would have been complete. After a totally pointless scene where their sensors once again detect something really big swimming around in the loch (We get it already!), Hat Guy and Miss Anthony venture to the constable's office to try to persuade him to quarantine the loch by showing him the same evidence that she herself had just dismissed minutes earlier. The constable tells them that the image in the photos is just the fake Nessie the webcam kids were planning to fool everyone with and that there was no way he going to close the loch because this was their busy tourist season. AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAARRRRRR Okay, I'm better now. Patrick Bergin's character finally resurfaces. His character's name is Blay. Hey, Gus wasn't the only character whose name I remembered. For no other reason, I'm can recall Blay's name because later on the constable makes a really lame Captain Bly joke at his expense. Blay, a former diver in the Royal Navy turned town recluse/loon, tells our insipid…I mean intrepid heroes the story of his encounter with the monster 17 years earlier. Seems he had taken his young son boomfishing on the loch in his skimmer named The Taggert (I can remember the name of an inanimate object but not the names of the two main characters?) and the monster took exception to this, sinking their boat. I'm beginning to detect the subtext of an anti-boomfishing message in this movie. PETA should be pleased. Anyway, his son's remains were never found and nobody believed him about the monster. The story floating around was that he was drunk and blew up the boat killing his son. No evidence supported this, so charges were never filed, but it ended up costing him his job, his wife, most of his sanity, and possibly his hygiene from the looks of things. He became a social outcast so he went to work on oil rigs in the North Sea for a long time, but had now just recently returned (What impeccable timing!) and vowed to get even with the creature. Well, I guess since they've tossed in so many other clichés they may as well throw in some MOBY DICK for the hell of it. Blay concludes the scene by subtly asking if he could ever try on one of their state-of-the-art diving suits. Toss in yet another run-in
with the constable that succeeds solely in padding the film and we move
on to yet another diving sequence where this time, in one of those It's at this point that the movie finally crosses the bad movie goal line with a sequence of such monumental stupidity that it alone is worth the price of the rental. A couple hiking along the shore discover the carcass of a plesiosaur that seems to have beached itself in a desperate attempt to escape the loch or possibly the movie. Let me not let this moment pass without making note of the atrocious visual effect that brings this scene to life. Let's just say the dinosaur image has a ghostly blue tint outline to it and leave it at that. Jump cut to the police station where the constable has called an impromptu press conference which consists of Miss Anthony, Hat Guy, one of their cohorts with a camcorder, Blay, and about 5 other nameless reporters. The constable, grinning like an idiot, gleefully declares, even though he had previously insisted that there was no danger in the loch, that there is no longer any danger because what they believe to be the Loch Ness Monster has been caught. He then opens the door to the room where the creature's carcass is on a slab to give them a quick glimpse before closing the door and informing the press that a specialist is going be flown in to study the corpse. While all this is going on, Blay is screaming like a madman about how he's seen the monster up-close and this ain't it. Our heroes back up Blay's ravings by repeatedly insisting that that the creature they've been tracking in the loch is much larger than the corpse in the next room. After unveiling the single greatest scientific discovery of the 20th and probably the 21st century as well, the constable shoos everyone out of the building then pulls our heroes aside to tell them that there is no reason for them or any other scientists to hang around Loch Ness anymore. Hold it! Hold it! Stop tape! That thing in the other room isn't a shark. IT'S A FREAKIN' DINOSAUR! Yet, the filmmakers are so inept that they have the constable play the whole scene like he's the mayor of Amity insisting that the shark has been caught and there is nothing more to worry about. Despite his assertions that Nessie is a myth, he doesn't even seem to be in awe of what's in the next room. He's just happy that the Loch Ness myth can finally be put to rest and the rumors of a killer creature in the loch can come to an end. IT'S A FREAKIN' DINOSAUR! He's celebrating that he'll finally be able to get rid of all those pesky scientists once and for all. No! A dead dinosaur washes ashore and every single cryptozoologist, biologist, paleontologist, zoologist, marine biologist, and every kind of "ologist" on the planet is going to descend upon you! Hell, Charles Darwin would probably rise from the dead just to get a piece of this! Not to mention the fact that every single media outlet in existence would be doing round-the-clock live remotes from the loch! Yet Constable McDumbass thinks this is the final chapter in the Loch Ness Monster saga? IT'S A FREAKIN' DINOSAUR! By God, I love this movie! Later that evening, our heroic research team break-in to the police station, which apparently closes after dark, to make a closer inspection of the dead Nessie. The corpse of greatest zoological discovery in recorded history is being kept in an unguarded building, inside a non-refrigerated room, behind an unlocked door with a window on it. Oy vey! Turns out this dinosaur died when something bigger took a huge bite out of it and they come to the conclusion that whatever is out there is a predator of Nessie. Yes, folks, the Loch Ness Monster is real and it's killed off in a minor sub-plot. First Gus, now Nessie! This movie keeps killing off the only likeable characters! From there, they leave to meet
up with Blay where they discuss their findings and quote biblical references
about the Old Testament sea monster, Leviathan, which Hat Guy, completely
out of the blue, claims was probably just a "carnosaurus" that had survived
into ancient times. They all decide that the man-eater in the loch must
be a carnosaurus, known as the T-Rex of the sea, and hypothesize that
it must have survived extinction and have been living deep in the trenches
of the North Sea and swam into the loch through one of the underwater
passages that the late great Gus constantly theorized about. I missed
the aquatic portion of Walking With Dinosaurs so I can't vouch for whether
such a dinosaur ever existed and I'll leave the dinosaur/Leviathan theological
argument to others, but will say that Hat Guy doesn't strike me as being
bright enough to make such profound pronunciations. While this discussion
takes place, a group of pagans partaking in some druid ritual out on
the water become a midnight snack. The research team repeatedly estimates
that the creature Good lord, how long is this review?* It's getting to be Jabootu length! Fortunately, we're approaching the film's climax. Long story short, a bunch of witnesses saw the pagan-eating and so the constable's finally convinced he's got a big problem. After arguing again, the constable has Hat Guy jailed overnight for no other reason than he's a bloody wanker and then talks to his superiors by CB where the decision is made to close the loch while they depth charge the hell out of it. Blay, in a Quint moment, tells the constable that he's the only one who can catch or kill this thing to which the constable simply pleads with him to go home. Ahab, I mean Blay, then goes home, puts on his kilt and Braveheart makeup and shows up at the researchers headquarters armed with a spear and forcibly persuades them to suit him up in diving gear so he can go hunt the monster. Miss Anthony bails Hat Guy out of jail where the constable forces them to sign several legal documents stating they will be gone in 24 hours. Yes, he has filed a restraining order on behalf of a body of water. Sadly, this is the constable's final scene in the movie so we don't even get the reward of seeing his sorry ass get it's much deserved devouring. Upon getting back to base and finding out about Blay's Dr. Serizawa impression, Hat Guy decides that he himself will suit up and go down to talk sense into him. This is noteworthy not only because he'll have to remove his hat, but also because it was briefly brought up earlier that Hat Guy hates the water even though he claims to have invented their specialized diving suits. I'll buy that for a dollar! So Hat Guy is a paleontologist, a cryptozoologist, a diver, a lover, an engineering genius, works for a TV network, and was best friends with Gus? Well, he's a regular Buckaroo Banzai isn't he? * To answer your question, it is 7,103 words in length. -Ed To put the film's finale in fast forward, which is probably the only way I can accurately describe it since the direction is so incomprehensible that much of the time you have no idea what is actually going on. Hat Guy meets up with Blay beneath Loch Ness (*rimshot*) who has set up a net rigged with explosives in a web-like fashion across the opening of the passageway that leads in and out of the loch with hopes that the monster will get blown up upon contact. The duo must have formed a suicide pact since that is the only explanation for why they foolishly stand within a few inches of the rigged net the entire time. Meanwhile, the Loch Ness Baywatch are dropping depth charges, Miss Anthony is channeling Susan Lucci again, and the monster is just swimming around aimlessly. The creature hits the net, but the charges were either duds or made from stuff Blay bought at a fireworks stand because it's pretty much a non-explosion. The monster is annoyed, people above and below the water yell a lot, and one of the depth charges doesn't detonate, but comes to rest neatly on top of the passage opening. How convenient. The monster plows through the net setting off the charge thus caving in the opening and trapping Blay and Hat Guy inside the passage. Upon losing radio contact, everyone presumes the worst, but Miss Anthony decides she's overacted enough in this movie and underplays the moment. In the underwater passage, time and logic stand still as neither man panics over their current situation. Despite the fact that Blay's oxygen meter is almost empty and surely Hat Guy's tank only contains and hour or two of air, he actually suggests that since the passageway should lead out into the ocean, they should essentially just walk out the other end. I kid you not. That should be what? A couple hundred miles at least? Then, the twosome just start casually walking out to sea. It seems both they and the filmmakers completely forgot that the angry, carnivorous monster is still lurking about. After walking all of about five feet, they happen up on a nest of real carnosaur eggs proving once and for all that Gus' theory about the loch being a breeding ground was true. God bless you, Gus! Blay immediately goes into a violent frenzy and begins stabbing the eggs with his trusty spear while Hat Guy pleads for calm. Cue the monster's CGI eye opening. I guess it needed a nap after all that excitement. Blay spears one of the eggs and taunts the carnosaurus with it while screaming about how you killed my kids so now I'll kill yours to which the monster stares ominously and gives a toothy grin. Hat Guy, the dashing hero he is, exits stage left while the monster, rather than eat Blay, chooses instead to simply mosh him. Blay's suit is damaged and he begins to depressurize, but before dying he detonates this last C-4 explosive he had which looks suspiciously like a smoke detector. A big underwater explosion occurs which apparently killed the creature even though it wasn't shown anywhere near Blay when he detonated the explosives. I swear to God there is no possible way to accurately describe how incoherently filmed and edited together this entire series of events is filmed. You simply have to see it yourself to believe how poorly it's all staged. After much time has elapsed, everyone above ground is almost as distraught as they were when Gus bought it. Far away, a biker riding along an oceanside road spots a man in a dive suit passed out on the beach. Back at the loch, everyone is still standing around looking as if they're now starting to get over their loss, when suddenly Hat Guy just walks up from behind and surprises them. Everyone rejoices, but you know deep down they'd rather it have been Gus that came back. Any explanation as to how the hell he survived is never offered. Did he actually walk the distance without running out of air? Did the explosion blow him through the tunnel at high speeds? Did anybody ever explain to the makers of this film that there's a fine line between suspension of disbelief and insulting the audience's intelligence? Hat Guy tosses the research team a backpack containing one of the eggs that he somehow managed to carry back with him. Everyone once again sings the praises of the greatest human being to ever walk the face of the earth, Prof. Gus Egan, while Hat Guy and Miss Anthony joke about going to work in the desert (Get it? Its called comedic irony!) and talk about possibly patching up their failed marriage. Without warning, the film cuts right to the closing credits thus ending this obtuse movie on an awkward moment. Personally, I kept expecting Gus to pull an Ed Harris and turn up alive at the bottom of the loch, but that was not to be. While there may not have been a brain cell to be found anywhere in or around this particular film, I'd be lying if I said I didn't enjoy the hell out of this piece of schlock! Every last one of you should jog, don't run or walk, to your local video store and rent BENEATH LOCH NESS. Or you can be a cheap bastard and just wait for this movie to debut on the Sci-Fi Channel sometime in the next six months. I don't know for a fact that it will air on the Sci-Fi Channel, but it just has that look and feel to it. Besides, the Sci-Fi Channel is eventually going to have find some movie to put in heavy rotation in place of KOMODO, which has become to the Sci-Fi Channel what JAWS is to the Turner networks. And if the movie does well on home video, maybe it could turn into a franchise. The first sequel could be about Canada's Ogopogo called Beneath Lake Okanagan. Admittedly it doesn't have quite the same ring to it as BENEATH LOCH NESS, but if they can keep cranking out TURBULENCE sequels and make five LEPRECHAUN movies then stretching this premise into a franchise shouldn't be all that difficult. Besides, when you've started BENEATH LOCH NESS, you have nowhere to go but up! IN MEMORY OF GUS 19?? - 2002 MY NAME IS SCOTT FOY & I PAID TO SEE DEEPSTAR SIX |
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